How a designer gets from thought to thing is, at least in broad
strokes, straightforward:
(1) A designer conceives a purpose.
(2) To accomplish that purpose, the designer forms a plan.
(3) To execute the plan, the designer specifies building materials and
assembly instructions.
(4) Finally, the designer or some surrogate applies the assembly
instructions to the building materials.
What emerges is a designed object, and the designer is successful to
the degree that the object fulfills the designer's purpose. In the
case of human designers, this four-part design process is
uncontroversial. Baking a cake, driving a car, embezzling funds, and
building a supercomputer each presuppose it. Not only do we repeatedly
engage in this four-part design process, but we've witnessed other
people engage in it countless times. Given a sufficiently detailed
causal history, we are able to track this process from start to
finish.
But suppose a detailed causal history is lacking and we are not able
to track the design process. Suppose instead that all we have is an
object, and we must decide whether it emerged from such a design
process. In that case how do we decide whether the object is in fact
designed? If the object in question is sufficiently like other objects
that we know were designed, then there may be no difficulty inferring
design. For instance, if we find a scrap of paper with writing on it,
we infer a human author even if we know nothing about the paper's
causal history. We are all familiar with humans writing on scraps of
paper, and there is no reason to suppose that this scrap of paper
requires a different type of causal story.
Nevertheless, when it comes to living things, the biological community
holds that a very different type of causal story is required. To be
sure, the biological community admits that biological systems appear
to be designed. For instance, Richard Dawkins writes, "Biology is the
study of complicated things that give the appearance of having been
designed for a purpose."(1) Likewise, Francis Crick writes,
"Biologists must constantly keep in mind that what they see was not
designed, but rather evolved."(2) Or consider the title of Renato
Dulbecco's biology text -- The Design of Life.(3) The term "design" is
everywhere in the biological literature. Even so, its use is carefully
regulated. According to the biological community the appearance of
design in biology is misleading. This is not to deny that biology is
filled with marvelous contrivances. Biologists readily admit as much.
Yet as far as the biological community is concerned, living things are
not the result of the four-part design process described above.
But how does the biological community know that living things are only
apparently and not actually designed? According to Francisco Ayala,
Charles Darwin provided the answer: "The functional design of
organisms and their features would therefore seem to argue for the
existence of a designer. It was Darwin's greatest accomplishment to
show that the directive organization of living beings can be explained
as the result of a natural process, natural selection, without any
need to resort to a Creator or other external agent. The origin and
adaptation of organisms in their profusion and wondrous variations
were thus brought into the realm of science."(4) Is it really the
case, however, that the directive organization of living beings can be
explained without recourse to a designer? And would employing a
designer in biological explanations necessarily take us out of the
realm of science? The purpose of this book is to answer these two
questions.
The title of this book, No Free Lunch, refers to a collection of
mathematical theorems proved in the last five years about evolutionary
algorithms. The upshot of these theorems is that evolutionary
algorithms, far from being universal problem solvers, are in fact
quite limited problem solvers that depend crucially on additional
information not inherent in the algorithms before they are able to
solve any interesting problems. This additional information needs to
be carefully specified and fine-tuned, and such specification and
fine-tuning is always thoroughly teleological. Consequently,
evolutionary algorithms are incapable of providing a computational
justification for the Darwinian mechanism of natural selection and
random variation as the primary creative force in biology. The
subtitle, Why Specified Complexity Cannot Be Purchased Without
Intelligence, refers to that form of information, known as specified
complexity or complex specified information, that is increasingly
coming to be regarded as a reliable empirical marker of purpose,
intelligence, and design.
What is specified complexity? An object, event, or structure exhibits
specified complexity if it is both complex (i.e., one of many live
possibilities) and specified (i.e., displays an independently given
pattern). A long sequence of randomly strewn scrabble pieces is
complex without being specified. A short sequence spelling the word
"the" is specified without being complex. A sequence corresponding to
a Shakespearean sonnet is both complex and specified. In The Design
Inference(5) I argued that specified complexity is a reliable
empirical marker of intelligence. Nevertheless, critics of my argument
have claimed that evolutionary algorithms, and the Darwinian mechanism
in particular, can deliver specified complexity apart from
intelligence.(6) I anticipated this criticism in The Design Inference
but did not address it there in detail. Filling in the details is the
task of the present volume.
The Design Inference laid the groundwork. This book demonstrates the
inadequacy of the Darwinian mechanism to generate specified
complexity. Darwinists themselves have made possible such a
refutation. By assimilating the Darwinian mechanism to evolutionary
algorithms, they have invited a mathematical assessment of the power
of the Darwinian mechanism to generate life's diversity. Such an
assessment, begun with the No Free Lunch theorems of David Wolpert and
William Macready (see section 4.6), will in this book be taken to its
logical conclusion. The conclusion is that Darwinian mechanisms of
any kind, whether in nature or in silico, are in principle incapable
of generating specified complexity. Coupled with the growing evidence
in cosmology and biology that nature is chock-full of specified
complexity (cf. the fine-tuning of cosmological constants and the
irreducible complexity of biochemical systems), this conclusion
implies that naturalistic explanations are incomplete and that design
constitutes a legitimate and fundamental mode of scientific
explanation.
In arguing that naturalistic explanations are incomplete or
equivalently that natural causes cannot account for all the features
of the natural world, I am placing natural causes in contradistinction
to intelligent causes. The scientific community has itself drawn this
distinction in its use of these twin categories of causation. Thus, in
the quote earlier by Francisco Ayala, "Darwin's greatest
accomplishment [was] to show that the directive organization of living
beings can be explained as the result of a natural process, natural
selection, without any need to resort to a Creator or other external
agent."(7) Natural causes, as the scientific community understands
them, are causes that operate according to deterministic and
non-deterministic laws and that can be characterized in terms of
chance, necessity, or their combination (cf. Jacques Monod's Chance
and Necessity).(8) To be sure, if one is more liberal about what one
means by natural causes, and includes among natural causes telic
processes that are not reducible to chance and necessity (like the
ancient Stoics did by endowing nature with immanent teleology), then
my claim that natural causes are incomplete dissolves. But that is not
how the scientific community by and large understands natural causes.
The distinction between natural and intelligent causes now raises an
interesting question when it comes to embodied intelligences like
ourselves, who are at once physical systems and intelligent agents:
Are embodied intelligences natural causes? Even if the actions of an
embodied intelligence proceed solely by natural causes, being
determined entirely by the constitution and dynamics of the physical
system that embodies it, that does not mean the origin of that system
can be explained by reference solely to natural causes. Such systems
could exhibit derived intentionality in which the underlying source of
intentionality is irreducible to natural causes (cf. a digital
computer). I shall argue that intelligent agency, even when
conditioned by a physical system that embodies it, cannot be reduced
to natural causes without remainder. Moreover, I shall argue that
specified complexity is precisely the remainder that remains
unaccounted for. Indeed, I shall argue that the defining feature of
intelligent causes is their ability to create novel information, and
in particular specified complexity.
Design has had a turbulent intellectual history. The chief difficulty
with design to date has consisted in discovering a conceptually
powerful formulation of it that will fruitfully advance science. While
I fully grant that the history of design arguments warrants
misgivings, they do not apply to the present project. The theory of
design I envision is not an atavistic return to the design arguments
of William Paley and the Bridgewater Treatises. William Paley was in
no position to formulate the conceptual framework for design that I
shall be developing in this book. This new framework depends on
advances in probability theory, computer science, the concept of
information, molecular biology, and the philosophy of science -- to
name but a few. Within this framework design promises to become an
effective conceptual tool for investigating and understanding the
world.
Increased philosophical and scientific sophistication, however, is not
alone in separating my approach to design from Paley's. Paley's
approach was closely linked to his prior religious and metaphysical
commitments. Mine is not. Paley's designer was nothing short of the
triune God of Christianity, a transcendent, personal, moral being with
all the perfections commonly attributed to this God. On the other
hand, the designer that emerges from a theory of intelligent design is
an intelligence capable of originating the complexity and specificity
that we find throughout the cosmos and especially in biological
systems. Persons with theological commitments can co-opt this designer
and identify this designer with the object of their worship. But this
move is strictly optional as far as the actual science of intelligent
design is concerned.
The crucial question for science is whether design helps us understand
the world, and especially the biological world, better than we do now
when we systematically eschew teleological notions from our scientific
theorizing. Thus a scientist may view design and its appeal to a
designer as simply a fruitful device for understanding the world, not
attaching any significance to questions like whether a theory of
design is in some ultimate sense true or whether the designer actually
exists. Philosophers of science would call this a constructive
empiricist approach to design. Scientists in the business of
manufacturing theoretical entities like quarks, strings, and cold dark
matter could therefore view the designer as just one more theoretical
entity to be added to the list. I follow here Ludwig Wittgenstein, who
wrote: "What a Copernicus or a Darwin really achieved was not the
discovery of a true theory but of a fertile new point of view."(9) If
design cannot be made into a fertile new point of view that inspires
exciting new areas of scientific investigation, then it deserves to
wither and die. Yet before that happens, it deserves a fair chance to
succeed.
One of my main motivations in writing this book is to free science
from arbitrary constraints that, in my view, stifle inquiry, undermine
education, turn scientists into a secular priesthood, and in the end
prevent intelligent design from receiving a fair hearing. The subtitle
of Richard Dawkins's The Blind Watchmaker reads Why the Evidence of
Evolution Reveals a Universe Without Design. Dawkins may be right that
design is absent from the universe. But science needs to address not
only the evidence that reveals the universe to be without design but
also the evidence that reveals the universe to be with design.
Evidence is a two-edged sword: Claims capable of being refuted by
evidence are also capable of being supported by evidence. Even if
design ends up being rejected as an unfruitful explanatory tool for
science, such a negative outcome for design needs to result from the
evidence for and against design being fairly considered. Darwin
himself would have agreed: "A fair result can be obtained only by
fully stating and balancing the facts and arguments on both sides of
each question."(10) Consequently, any rejection of design must not
result from imposing arbitrary constraints on science that rule out
design prior to any consideration of evidence.
Two main such constraints have historically been used to keep design
outside the natural sciences: methodological naturalism and
dysteleology. According to methodological naturalism, in explaining
any natural phenomenon the natural sciences are properly permitted to
invoke only natural causes to the exclusion of intelligent causes. On
the other hand, dysteleology refers to inferior design -- typically
design that is either evil or incompetent. Dysteleology rules out
design from the natural sciences on account of the inferior design
that nature is said to exhibit. In this book I shall address
methodological naturalism. Methodological naturalism is a regulative
principle that purports to keep science on the straight and narrow by
limiting science to natural causes. I intend to show that it does
nothing of the sort but instead constitutes a straitjacket that
actively impedes the progress of science.
On the other hand, I shall not have anything to say about
dysteleology. Dysteleology might present a problem if all design in
nature were wicked or incompetent and never matched up with our moral
and aesthetic yardsticks. But that's not the case. To be sure, there
are microbes that seem designed to do a number on the mammalian
nervous system and biological structures that look cobbled together by
a long trial-and-error evolutionary process. But there are also
biological examples of nano-engineering that surpass anything human
engineers have concocted or entertain hopes of concocting.
Dysteleology is primarily a theological problem.(11) To exclude design
from biology simply because not all examples of biological design live
up to our expectations of what a designer should or should not have
done is an evasion. The problem of design in biology is real and
pervasive, and needs to be addressed head on and not sidestepped
because our presuppositions about design happen to rule out imperfect
design. Nature is a mixed bag. It is not William Paley's happy world
of everything in delicate harmony and balance. It is not the widely
caricatured Darwinian world of nature red in tooth and claw. Nature
contains evil design, jerry-built design, and exquisite design.
Science needs to come to terms with design as such and not dismiss it
in the name of dysteleology.
William Dembski, Senior Fellow
The Discovery Institute
Center for the Renewal of Science and Culture www.discovery.org/crsc